Box Office

Involuntary Writing

Solo exhibition
by Tao G. Vrhovec Sambolec

Involuntary Writing by Amsterdam-based artist Tao G. Vrhovec Sambolec is presented at Blank Canvas that brings together site-specific murals and a triptych consisting of a digital scan, a black and white photograph, and a rubber stamp imprint.

The project highlights unintentional ink stains that occur while writing by hand. The artist turns attention to these unintended marks, treating them as visual forms in their own right, which are magnified and reworked within the exhibition space. He foregrounds their idiosyncratic, irregular shapes as visual elements that are neither illustrations, symbolic representations, nor abstractions, but incomprehensible forms that, nevertheless, radiate familiarity. Rather than trying to define or interpret them, the project leans into this ambiguity by adopting a non-interpretative gaze – one that is more akin to โ€œlistening to shapesโ€, allowing their presence to be felt rather than explained.

Photos

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Videos

PROJECT DETAILS

Date & Time

  • 6 June – 9 August 2026

TICKETS

  • -

Category

  • Also in Penang

Venue

  • Blank Canvas

DURATION

  • -

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Involuntary Writing

Solo exhibition by Tao G. Vrhovec Sambolec Involuntary Writing by Amsterdam-based artist Tao G. Vrhovec Sambolec is presented at Blank Canvas that brings together site-specific murals and a triptych consisting of a digital scan, a black and white photograph, and a rubber stamp imprint. The project highlights unintentional ink stains that occur while writing by hand. The artist turns attention to these unintended marks, treating them as visual forms in their own right, which are magnified and reworked within the exhibition space. He foregrounds their idiosyncratic, irregular shapes as visual elements that are neither illustrations, symbolic representations, nor abstractions, but incomprehensible forms that, nevertheless, radiate familiarity. Rather than trying to define or interpret them, the project leans into this ambiguity by adopting a non-interpretative gaze – one that is more akin to โ€œlistening to shapesโ€, allowing their presence to be felt rather than explained.
Find Out More